Showing posts with label Shwe Lan artwork. Show all posts
Showing posts with label Shwe Lan artwork. Show all posts

Thursday, 26 September 2013

Snakes

The Meditator Guidebook to Burma is in its final stages! As the guide gets closer to publication, we will begin to share excerpts of what yogis may expect... some sneak previews of what is to come. Here is an excerpt from the "Health" chapter on the incidents of snakes in Myanmar:
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Myanmar has one of the highest rates of deaths resulting from snakebites in the world. Poisonous snakes reportedly kill hundreds of people annually, most often in rural areas. Most of the country’s snakes are found in the Delta and Dry Zone areas. They particularly prefer thick grass, so yogis should not walk in such places only wearing sandals (which is actually most of the time one is in Myanmar); instead, wearing shoes and bringing a walking stick to serve as one’s advance guard in advised. Even if just stepping outside your residence for a quick jaunt to the toilet, make sure to carry a flashlight If you are bitten, immediately seek medical attention. Some people may choose to bring a snakebite extractor kit as well, but this is not so common.

The king cobra is known as the most poisonous snake in Myanmar. However, this large, black and white reptile is not particularly aggressive. Much more dangerous are Russell’s Vipers, which cause an estimated 1,000 deaths per year, approximately 70% of the snakebite deaths. However, these are only the “reported” figures, and actual incidents are probably higher.

Joseph Slowinski, a respected American herpetologist, died in 2001 in Northern Myanmar after suffering a bite from the Banded Krait (ngan taw kyar), a story told in Jamie James’ book The Snake Charmer.


An original illustration drawn by one of Shwe Lan's volunteer meditator artists

Saturday, 14 September 2013

Thanaka

In this excerpt from the book, we pick up an entry from our "Burmese Days" chapter. Following is a short excerpt from the section on "thanaka":
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Original artwork sketched by one of Shwe Lan's artist contributors shows a typical thanaka design on a young Burmese girl
“May May Gyi first put three blots of thanaka on my face, one on the forehead, and the others on each cheek and spread them all over the face. It was a sweet cooling sensation and May May Gyi told me the importance of putting thanaka on my face every morning if I wanted to be a beauty when I grew up.” Khin Myo Chit, Colorful Myanamr

After just a few hours in the country, the first question many visitors want to ask is “what is that yellow paste that people wear on their faces?” The answer is thanaka, a bark that has a similar smell to sandalwood and comes from the thanaka tree (murraya thanaka). It is used both as a skin moisturizer, sun block, whitening cream, and anti-acne cream, and many praise its virtues for keeping the face cool throughout the day. It is also said to tighten the pores and above all else, it smells good. To prepare it for wearing, thanaka is ground on a stone slab (in Burmese, kyauk pyin) and then mixed with pure water, resulting in a creamy paste that comes out a narrow channel surrounding the rim. Some kyauk pyin become treasured family heirlooms, and even become historical items, as in the case of the slab that Queen Raza Datu Kalaya of Taungoo used in the 17th century, which is today on display at Shwe Maw Daw Pagoda Museum in Bago.

Many children like to make swirling and elaborate patterns when applying it on their cheeks in the morning, and many of these designs are actually given names and date back hundreds of years. Burmese sellers in the marketplace will be more than happy to apply a dosage if you’d like to try, and if you do, you’ll be guaranteed a day full of smiles from the Burmese that you meet!

Historically, the earliest reference comes from a 14th century Mon poem, although it is believed that women have used it for over 2000 years. Different kinds of trees are used, and locals have their own preference as to which kind of tree and location they like best, with some buying huge quantities when they are in a place famous for a quality wood. Of note include Sagaing town, Shwebo, and parts of Shan state and Magwe division. There has also been a long-running rivalry between those produced in Shwebo and those in Shinmadaung, with both sides claiming the better quality. When Burmese find themselves in these places, they “then bring back enough logs to build a cabin,” as one Burmese writer quipped. Some fake logs of thanaka do exist, and the way to ensure its authenticity is to take a small taste of it on your tongue: real thanaka should be bitter. Or, for those who just don’t have the time to bother, there are also small containers of the paste pre-prepared.

“[Thanaka is] used by both queen and commoner. It is a thousand year old tradition. The stone implement used to grind thanaka is cut from smooth stone into a circular slab, with a trough along the rim for the paste to flow into. This stone slab rests on four short legs, which in the old days were decorated with classical motifs and scenes carved into the stone in high relief. A short length of the thanaka log is ground, bark side, in a circular motion, with drops of water poured on the stone from time to time.” Ma Thanegi, The Native Tourist



Tuesday, 13 August 2013

Shwe Lan Excerpt: Shwe Yan Pyae Monastery

The Meditator Guidebook to Burma is in its final stages! As the guide gets closer to publication, we will begin to share excerpts of what yogis may expect... some sneak previews of what is to come. here is one paragraph taken from the Yawnghwe section, and in addition to the text also features original artwork designed by one of our arists:

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Shwe Yan Pyae Monastery
This monastery is about two miles north of town, on the way to Shwenyaung, so easy to catch on your way in or out of the area. This is a real monastery, though you might not know it by the hordes of tourist buses that pile on and off here for photos. This is mainly due to its very photogenic elliptical windows, and the curious novices or graceful felines who always seem perched in them. Still, it is worth seeing, and the grounds date back to the 19th century. The plinth where the Buddha statues sit are gilded with glass mosaics and gold filigree, and make a nice place to pay your respects. The statue itself is nine feet in height, and is made of gilded bamboo strips. Also, a gilded Celestial Being can be found in the Sayadaw’s chamber, where the monastery keeps a chest with ancient palm leaf manuscripts, also gilded. Shwe Yan Pyae Monastery is also known for its teak pillars, and indeed there are 167 of them, with the front ones gilded and adorned with glass mosaics. More teak shingles were placed on the monastery’s roof, and the inner ceiling has beautiful teak carvings as well. Note also the two guardian chinthe on the eastern side and garudas on the west. Also make sure to see the long hallways with many thousands of miniature Buddha images set into the carved out spaces, and the beautiful tiles of the floor below. This is located in the small temple behind the yard, on the right from the wooden building, across from the Shan stupa. As the site can unfortunately be overrun by tourists these days, if you do go, it can be very nice indeed to do so with respect and veneration, as many foreigners do not go with this sort of mindful intention. It is also a good place to practice your meditator Burmese with the many novices.


Shwe Yan Pyae Monastery in Nyaunshwe