The White Scarf and Burmese Meditation

Marie Byles records that at exactly 1:00 p.m. on Christmas Eve, something curious happened at the Maha Bodhi meditation center in Mandalay. “U Thein placed a white scarf over my shoulders, saying that I was now a Yogi and should always wear the scarf when meditating.” Her description almost seems to imply that the presentation and donning of the white scarf was symbolic of a formal, spiritual transformation, not dissimilar to a monk’s taking of saffron robes during an ordination ceremony.

Looking through the lens of Buddhist history, U Sarana notes that references to white garb are found frequently throughout the Pāḷi scriptures, occurring in all five nikayas of the Sutta Pitaka (including thirty-nine times alone in the Majjhima Nikaya). In the scriptures, white is associated with purity in general, and specifically can mean that one is following eight or ten precepts. Interestingly, Saya U Than recalls how Ledi Sayadaw had instructed Saya Thet Gyi to wear a white scarf once he began teaching meditation. Sayadaw U Vajirapani, one of the most senior students of the famous Tipiṭakadhara Yaw Sayadaw, noted that Ledi was adhering to the scriptural reference of seta paribajaka, or “white recluse,” (Also written as setavattha paribbājaka. More information is available in the Khuddakavatthukkhandhakaṃ, from the Vinaya Pitaka.) as well as odata vasana gihi, meaning “person clothed in white.” U Vajirapani suggests that Ledi reduced the practice of wearing entire white garments down to a plain white scarf, asking lay yogis to wear it when they came to the forest to learn Dhamma from him, and then the custom was carried over when meditation-oriented monasteries came to be established in later years. Photos of white scarves from the early 20th century show them as being much larger than merely covering the neck or acting as a kind of sash, as it is worn today, suggesting that it has since been reduced further in size.

 Then, U Ko Lay describes that when U Ba Khin was learning under Saya Thet Gyi, Saya Thet became pleased with his student’s meditation progress, and advised him “to sit in mental culture for seven days, and to wear a white cloth around his shoulders.” Later, when Webu Sayadaw encouraged U Ba Khin to spread the Dhamma, he is reported to have said, “Give [the lay practitioners] a method. Give him the teaching as a layman after having changed to wearing a white cloth.” Later on, many yogis at the International Meditation Center took up the practice of wearing a white shawl. The practice of the white scarf is not very common in meditation centers and monasteries in Myanmar today. However, in other Buddhist countries (such as Sri Lanka and Thailand), some monasteries continue to require a fully white garb for meditation courses and other ceremonies, as do some organized pilgrimages.

Why did Saya Thet Gyi Give White Scarves to Meditators?

Marie Byles, Australian author of Journey Into Burmese Silence, visited Maha Bodhi Meditation Center in 1957, and was taught for several months by Saya U Thein, one of the main disciples of Saya Thet Gyi. 

Byles recalls that on at “1 p.m. on Christmas Eve… U Thein placed a white scarf over my shoulders, saying that I was now a Yogi and should always wear the scarf when meditating.” Byles’ description almost seems to imply that the white scarf encouraged a formal spiritual transformation, not dissimilar to a monk’s ordination. 

Interestingly, Saya U Than wrote about how Ledi Sayadaw had instructed Saya Thet Gyi to wear a white scarf once he became a meditation teacher. Then, later on, many yogis at the International Meditation Center took up the practice of wearing a white shawl when studying under Sayagyi U Ba Khin. Although it is not clear where the garment originates from or its underlying meaning, it may relate to the brown shawl, or yawbut tin thi, that Burmese pilgrims and meditators wear today and that indicates their spiritual intent. However, U Sarana is doubtful about this, for he notes that “the brown scarf for ladies was an attempt to ‘label’ them with a ‘recluse mark,’ thus to differentiate them from the monastery workers and non-yogis.”

Buddhist history may also shed some light on this wearing of white. Dating back at least to the 3rd century B.C.E., the Sri Lankan laity would dress entirely in white to indicate their adherence to following eight or ten precepts. Some monastic traditions request that samaneras dress entirely in white before their ordination, and still in Sri Lanka today, lay yogis routinely dress entirely in white when visiting monasteries for uposatha, during meditation retreats, or on pilgrimages. It is uncertain if Ledi’s preference of a white scarf was contextual to his time, historical, or a unique innovation that he encouraged himself.

Note that the photograph above depicts a statue of Saya Thet Gyi at his meditation center in Pyaw Bwe Gyi, and the painting below shows him wearing the white scarf in a painting at the same site.  In the latter painting he is shown holding beads, suggesting that he may have used this in his meditation practice, as his teacher Ledi Sayadaw was also photographed with beads.