Chin Daung Curry

Chin Daung Curry 

Today, the cabin in Amarapura appears a bit more cluttered than it was in Maha Gandayone Sayadaw’s day. Daw Onmar, a German nun who stayed here for several years, recalls him saying that it is with the utmost simplicity that a monk a should live, and for many years he had little else but a pen and paper. As the modern era came to Burma, he was once offered a new refrigerator for his private residence. He laughed, and declining, asked what he would possibly put in it—“rice and chin daung curry?” Rice, obviously, is cooked and offered fresh daily, and chin daung is very cheap-made curry that is only good immediately after cooking. Nowadays refrigerators are quite common at Burmese monasteries, a development Daw Onmar feels Maha Gandayone Sayadaw would not accept “with the tip of his toe.”

Monkey Minds

Just outside of Dhamma Nana Dhaja in Monywa, the meditation center in the tradition of Sayagyi U Goenka and named after the Pali words of Ledi Sayadaw's name, it was considered beneficial to build a large monkey cage, so some yogis may wish to bring banana dana. Strangely, the cage seems to be monkey-optional, as the primates wander back and forth between the bars freely, so those with “monkey phobia” may wish to avoid the area.

The Stone Library of Ledi Sayadaw

The only remnants of the lost forest refuge may be those represented in the full-scale diorama in Ledi Thein Ma Taw Gyi, or as it is known in English, the "Maha Ledi Edifice." This blue, circular building is located to the right of the arch, and also displays a number of items relating to Ledi’s life. 

Further reminders of the great monk’s work in this world are exhibited in the form of hundreds of marble slabs, in fact 806 of them to be precise. Completed in 1925, just two years after Ledi Sayadaw’s passing, most of the engraving is comprised from 89 of his dipanis. Seven additional texts are credited to his disciples Ledi Pandita and Ledi U Kavi, so marked by a giant board meticulously recording the titles, locations, and other pertinent details of each work. Most are in Burmese (Others are in Pali and Nissaya, or a word-for-word translation of Pali into Burmese), following Ledi’s innovation in making them accessible to the common person, so that any wanderer may read and contemplate the Dhamma. Some were damaged during World War II, but have since been restored. Walking freely through this garden of scholastic monuments is a living and nearly breathing testament to Ledi’s contribution within the field of pariyatti. Even these slabs, however, do not constitute the totality of Ledi’s writings. A current project is now underway in Ledi Sayadaw’s birthpace of Sain Pyin Gyi Village to complete the stone engravings of his remaining volumes, thus preserving the entirety of Ledi’s words for future generations. Or as Linda Chang, an American yogi commented, “meandering amongst these large slabs was literally 'going through' his works!” Found within these slabs and reached via a narrow walkway is the main Buddha shrine.

Entering the Wild Ledi Forest

The Lower Chindwin Valley monk Ashin Nyanadhaja had made a brilliant display in the royal capital of Mandalay— often as an ascendant shining star, while at other times as a transcendent lightening rod— but by the early 1880s he had seemingly given up this cosmopolitan life, choosing instead to wander alone into remote Ledi Forest in Monwya. This act gave the world Ledi Sayadaw, and gave Monywa Maha Ledi Monastery, an active pariyatti monastery on the very grounds where Ledi made his initial retreat into the wilderness.


A city has since built around it, and any trees left in the area have been intentionally planted to ease the urban landscape. Today it is the home of over two hundred monks and novices, and every year Ledi Sayadaw’s birthday is celebrated with a great Saṅgha Dāna feast and ceremony. It goes without saying that Ledi left very large shoes—or rather, sandals—to fill, and this duty currently goes to Sayadaw U Aindarwantha, also known as the Tenth Ledi Sayadaw. While foreign yogis are generally not permitted to stay overnight, one may ask permission to meditate on the compound and pay respects to the sites associated with the great founder’s life.

Pyat Kha Shwe Taung Pagoda

Burmese kings first arrived here between the eleventh to the thirteenth centuries to build dams throughout the region. They rode on royal processions preceded by a retinue of white elephants— there was a well established tradition in Burma linking these animals to the faith, for 33 white elephants were said to have carried the Tipiṭaka into the country from Mon state and there is believed to be a telepathic connection between the beast and the king.

King Anawrahta was the first of these kings to arrive in the area. After receiving a replica of the Buddha Tooth Relic from Sri Lanka in the 11th century, he set out with his favorite white elephant, proclaiming that it be allowed to wander freely, and wherever it stopped he would build a pagoda which would enshrine the Relic. This was not an uncommon practice at the time, and at least four pagodas in Bagan were constructed this way. The elephant paused as he reached Shwe Thar Hlaung Hill, the site that would become famous from the historic meeting of Sayagyi U Ba Khin and Webu Sayadaw. However, it was somehow divined that the great animal did not designate this to be the chosen spot for a pagoda, and so he was allowed to continue, and when on until he reached Pyat Khar Shwe Hill. Even as the king chose to have the pagoda built at the latter site, he authorized another pagoda to be constructed at the first hill as well. After the pagodas were completed, great festivals were held at both sites. Later, after laying an advanced system of canals in the Kyaukse region, the King suggested that Thadingyut be celebrated in the region by paying respects to and sharing merit with the white elephant. A competing theory for the founding of this pagoda is that it honored the patron Nat of elephants, Uttay Na, who is believed to have power over all elephants and oozies (trainers). Uttay Na shrines have been placed at elephant camps for many centuries.

Today, the pagoda’s annual festivals includes the exhibition of large, hollow, paper maché elephants inhabited and brought to life by two people within. The craft of making these very life-like costumes has remained a secret for generations, passed down only within family lineages. Prizes are given each year for the best costume and dance, with families and communities competing against one another, and routines include dainty steps and acrobatic twists and turns to the music of a traditional orchestra. Choreography may be practiced an entire year prior, and the winning teams from the respective age groups perform at the pagoda on the ensuing full moon day, as well as at novitation ceremonies and other religious functions in town. After the competition, village residents and visiting pilgrims ascend to the pagoda to present offerings to elephant figurines.

FAQs and Shwe Oo Min Forest Monastery

A team of international, experienced meditators in the Shwe Oo Min tradition of Sayadaw U Tejaniya has prepared this comprehensive document for any yogi or monastic around the world who has the intention to spend time learning at the Forest Retreat Center in Mingaladon. It may be downloaded here. 

Maha Aung Mye Bon Thar Pagoda in Pyin Oo Lwin

This Pagoda is located in the downtown area of Pyin Oo Lwin, just south of the main market, and near some of the town’s historic sites. It is therefore a favorite for local residents, and its spacious compound and numerous structures also provide a welcome refuge for any yogi passing through to make use of the site for practice. On the Mandalay-Lashio road, heading towards Lashio, it is on the right side just before the main intersection with Zeiygo Road.

According to Lonely Planet, never a particularly careful or sensitive arbiter of social customs, it also “insists on broadcasting Buddhist lectures through its loudspeakers just in case you weren’t already awake” in the mornings; although likely this was just the complaint of a travel writer who stayed up too late and didn’t take the time to understand the common Buddhist practice of reciting suttas at pagodas. 

A wiser discussion on the Burmese practice of disseminating Buddhist suttas comes from Paññobhāsa Bhikkhu, an American forest monk who has lived here for almost two decads. He writes:

"Anyone who has spent much time in Burma will be familiar with the Patthan pweh, or Paṭṭhāna festival—an event in which monks recite Paṭṭhāna, the last portion of the Abhidhamma Piṭaka, over loudspeakers, in relay, sometimes around the clock for several days in succession. To a Westerner who appreciates peace and quiet they are little more than an affliction, but the Burmese love and esteem them. I have often considered that it would be more to the people's benefit to recite something they would actually understand, like a Burmese translation of the Dhammapada; as even most of the monks who chant Paṭṭhāna in Pali don't really understand it. It is considered to be 'unreadable' as a literary document, even to those who know Pali... The reason for these very loud chanting festivals is that, according to the commentarial tradition, the last book of the last section of the Canon (i.e., Paṭṭhāna), will be the first portion of the Tipitaka to disappear from this world, in accordance with the inexorable effects of impermanence. So by repeating these practically incomprehensible texts the monks are doing their best to keep Buddhism from disappearing from the earth. However—while Burmese monks revere and preserve Abhidhamma, the other two sections, Vinaya and the Suttas, are studied but not practiced all that much, allowing the disappearance to occur from first to last."